Woven Diamond Cabinet Pull, Solid Ash — Set of 2

Woven Diamond Cabinet Pull, Solid Ash — Set of 2

Size 1: 92 mm / 32 mm / Unfinished
£21.00
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Woven Diamond Cabinet Pull, Solid Ash — Set of 2
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Woven Diamond Cabinet Pull, Solid Ash — Set of 2

£21.00

A diamond pull cut in two down the middle, with an interlaced pattern carved across the whole face. Sold as a set of two halves in solid ash. Fitted either side of the gap between two doors, every line in the pattern meets its counterpart at the join.

This is the one that takes the longest to make. Straight runs and tight turns cross over and under each other, so the surface reads as woven rather than drawn, and there is no flat area left to rest the eye. It carries a room on its own: on a plain slab door it is the only thing you need.

Four sizes, from a 92 mm diamond on a bathroom cabinet to a 192 mm one on a wardrobe, and twelve finishes. The price changes with size only, not with finish.

Same shape, same four sizes, a different face: plain, with no carving, a single grooved outline, two parallel lines, a carved leaf or mirrored arches.

Product details

A diamond cabinet pull in solid ash with an interlaced pattern carved across the face, split into two halves. Sold as a set of two, in four sizes and twelve finishes.

In the box: two half-diamond pulls with the threaded metal inserts already fitted, and four M4 × 30 mm screws — two per half.

Dimensions and specifications
  • Wood: solid ash, cut from a single block, no glued joints
  • Size 1: 80 × 92 mm (3.1″ × 3.6″), 32 mm between centres
  • Size 2: 110 × 122 mm (4.3″ × 4.8″), 64 mm between centres
  • Size 3: 140 × 152 mm (5.5″ × 6″), 96 mm between centres
  • Size 4: 180 × 192 mm (7.1″ × 7.6″), 128 mm between centres
  • Total depth from the door: 22 mm (0.9″), all sizes
  • Tolerance: ±1 mm
  • Mounting holes required: 4 mm, two per half
  • Fits door and drawer fronts up to 24 mm thick
  • Included: two half-diamond pulls and four M4 × 30 mm screws, two per half
  • Finish: ADLER Legno Dura-Öl, an oil-based finish — ten colours plus Oiled. Unfinished is bare sanded ash, with no coating at all
  • Sold as a set of two halves; price varies by size only
Mounting

Decide first which way the split will run: vertically, between two side-by-side doors, or horizontally, between two fronts stacked one above the other. The steps are the same either way — the pairs of holes simply run along the split rather than across it.

  1. On each front, mark two points at the centre distance for your size — 32, 64, 96 or 128 mm — running parallel to the split.
  2. Drill a 4 mm hole at each of the four points, through the front.
  3. Pass an M4 × 30 mm screw through each hole from the back and thread it into the insert in the half, tightening by hand with the straight edge along the split.
  4. Finish each screw with a quarter turn of a screwdriver — no more. Overtightening pulls the insert out of the wood.

Every line in the pattern crosses the split, which means this is the least forgiving of the six: a millimetre out and a dozen lines step at once. Measure both fronts from the same reference edge rather than from each other, close them, and look along the join before the screws grip. If your front is thinner than 24 mm, the screws will stand proud inside the inserts; that is normal and does not affect how the pull holds.

Materials & workshop

Wood: solid ash, single block per half. Hardware: two threaded metal inserts and two M4 × 30 mm screws per half.

Eleven of the twelve finishes use ADLER Legno Dura-Öl, an Austrian oil-based finish. It leaves a matt, open-pored surface — the colour sits in the wood rather than on top of it, so a green pull still reads as ash and not as painted board — while resisting water and household chemicals the way a varnish would. The oil is certified to EN 71-3 for the migration of heavy metals, and to DIN 53160-1 and 53160-2 for saliva and perspiration resistance. The twelfth option, Unfinished, is bare sanded ash with no coating; it is the palest of the set and darkens with handling.

Cut, shaped, sanded and finished in our own workshop in Roman, Romania. This pattern is the reason the range exists: dozens of separate cuts, each one meeting the next at a right angle or a turn, and every junction cleaned by hand because that is where a machine leaves a burr. On the coloured finishes the oil gathers in all of them at once, so the whole face darkens along the lines and the weave separates itself from the flat.

Care

Wipe with a dry or barely damp cloth. The oil finish resists water and household cleaners, so no special product is needed and none is recommended.

This is the pattern that holds the most dust, and a cloth will not reach the turns — use a dry brush, working along the lines rather than across them. Unfinished pulls have no coating and darken with handling.

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